Drama Movies Column - News and Reviews 8
Another international project that caught my eye is “Into the Labyrinth”. Dustin Hoffman and Toni Servillo star in this English-Italian language thriller written and directed by Donato Carissi. The plot involves a woman who wakes up in the hospital after being held hostage for fifteen years. Hoffman and Servillo play a doctor and special investigator who try to solve her case. “Into the Labyrinth” is scheduled to be released in Italy this fall. I’d be surprised if the film does not score a North American distributor by the end of Cannes.
A festival that celebrates the art of film conservation was held earlier this month at the George Eastman Museum in Rochester, New York. The Nitrate Picture Show educates audiences on the technology, beauty, and preservation of nitrate film. The fest included a screening of the 1947 film noir classic “Nightmare Alley”, starring Tyrone Power in one of his favorite roles. Based on the William Lindsay Gresham novel, Power stars as an ambitious carnie who becomes a high-class psychic.
“Nightmare Alley” is on my list of best film noirs but I am going to withhold judgement, for now, on the remake planned by director Guillermo del Toro. Leonardo DiCaprio is reportedly considering the lead role but that has yet to be finalized. Gresham’s novel was sanitized somewhat for the 1947 version so it is possible to bring something new to the table for a redo.
I cannot imagine any reason whatsoever for Mel Gibson’s planned remake of “The Wild Bunch”. The seminal 1969 film is very much a product of 1960s disillusionment and the machismo of director Sam Peckinpah. The original cast included William Holden, Ernest Borgnine, Warren Oates, and Robert Ryan; all of whom had a certain world-weary air. Gibson, who will direct but not act in the film, is considering Michael Fassbender, Jamie Foxx, and Peter Dinklage for the leads. I’ll pass on this one and hope that Gibson eventually makes another Australian film like “The Year of Living Dangerously” (1982) or “Gallipoli” (1981).
Column posted on 5/17/2019.
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